“Inspired by the dyed floors of caravanserais and the geometry of desert architecture, traditional Middle Eastern tribal motifs and textiles, Banjaran offers a sophisticated reinterpretation of contemporary maximalism. This narrative taps into a Middle Eastern visual lexicon of ancient tribes, referencing the intricate geometry of nomadic Turkmen rugs, the linear grace of Kufic script, and the quiet symbolism of desert oasis motifs. “